In the project, we use the concept of “prison” as a visual metaphor to discuss women’s symbolic colonial-modern-patriarchal-capitalist punitiveness and oppression in everyday life, in a context that produces historical and contemporary injustices. Mainstream prison theories refer to these institutions as “total institutions” that produce hierarchical, authoritarian relationships with the aim of punishing, controlling and disciplining subjects’ docile bodies and subjectivities to reform them into productive citizens in line with hegemonic gender roles (Goffman, 1961; Foucault, 1975; Sykes, 1958). Researchers from the Global South (Bracco, 2022; Sozzo, 2022) have started to question this rigid representation of the prison and have suggested that prisons in the Global South operate in an “other” way. They have recognised that prisons operate through co-governance whereby prisoners engage in complex negotiatory dynamics with authorities; this creates “cracks” and “tunnels” within the institution, which enables prisoners to create a collective organisation and enact semi-autonomous actions in pursuit of their liberation while imprisoned.
In line with the conceptualisation of the prison configured within the Global South, we seek to expand the idea of prison from a nation-state institution that materially imprisons those who have broken legal mandates to understand it as spaces that punish, control and discipline subjects. These symbolic prisons may be our bodies, schools, and partners, to name a few examples, and have intersectional implications given dimensions such as race, ethnicity or territory. However, as noted, our interest also lies in the “cracks” and “tunnels” that enable fluid, subtle agentic moves and propel possibilities of survival through actions of resistance and solidarity (Ortega, 2015).
In this project, we will work with women from Peru and Turkey. In Peru, we will work with an organisation of former female prisoners who seek to collectively resist systematic stigma. In Turkey, we will work with politically active women supporting “women’s empowerment”. Methodologically, we will facilitate the creation of personal and collective collages in each context, mixing archive and contemporary images and objects. Through emotionally safe collective encounters, we seek to promote creativity, playfulness and dialogue. The project will use a visual storytelling platform to virtually display collages, quotes and texts created in these collective spaces. In so doing, we seek to create dialogue and connectedness between both Souths.